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Hard rock (or simply punk) is a music category that emerged in the mid-1970s. Rooted in 1960s garage rock, punk bands rejected the viewed excesses of mainstream 1970s rock. They usually produced short, busy songs with hard-edged melodies and singing designs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk welcomes a DIY ethic; lots of bands self-produce recordings and distribute them through independent record labels. The term "hard rock" was first used by American rock critics in the early 1970s to explain 1960s garage bands. When the motion now bearing the name developed from 1974 to 1976, acts such as Tv, Patti Smith, and the Ramones in New York City; the Sex Handguns, the Clash, and the Damned in London; The Runaways in Los Angeles; and the Saints in Brisbane formed its vanguard. Punk became a significant cultural phenomenon in the UK late in 1976. It led to a punk subculture revealing youthful disobedience through unique styles of clothes and adornment (such as intentionally offensive Tee shirts, leather jackets, studded or increased bands and jewellery, safety pins, and bondage and S&M clothing) and a range of anti-authoritarian ideologies. In 1977, the influence of the music and subculture spread worldwide, particularly in England. It took root in a vast array of local scenes that typically declined affiliation with the mainstream. In the late 1970s, punk experienced a 2nd wave as new acts that were not active throughout its formative years embraced the style. By the early 1980s, much faster and more aggressive subgenres such as hardcore punk (e.g. Minor Risk), street punk (e.g. the Made use of), and anarcho-punk (e.g. Crass) became the primary modes of punk rock. Artists identifying with or motivated by punk also pursued other musical instructions, triggering spinoffs such as post-punk, new age, and later indie pop, alternative rock, and sound rock. By the 1990s, punk re-emerged into the mainstream with the success of read more hard rock and pop punk bands such as Green Day, Rancid, The Offspring, and Blink-182.
he first wave of hard rock was "aggressively modern-day" and differed from what came before.According to Ramones drummer Tommy Ramone, "In its preliminary type, a great deal of [1960s] stuff was ingenious and exciting. Regrettably, what happens is that individuals who could not compare the likes of Hendrix began noodling away. Soon you had unlimited solos that went nowhere. By 1973, I understood that what was needed was some pure, disrobed, no bullshit rock 'n' roll. John Holmstrom, founding editor of Punk magazine, remembers feeling "hard rock had to occur because the rock scene had actually become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock-and-roll, when to me and other fans, rock-and-roll implied this wild and defiant music." In critic Robert Christgau's description, "It was also a subculture that scornfully turned down the political idealism and Californian flower-power silliness of hippie myth."
Hippies were rainbow extremists; punks are romantics of black-and-white. Hippies required warmth; punks cultivate cool. Hippies joked themselves about free love; punks pretend that s & m is our condition. As symbols of demonstration, swastikas are no less fatuous than flowers.